JOSH DAVIS* (Dishes) Broadway: Paradise Square (OBC); Beautiful: The Carole King Musical (OBC); Broadway National Tour: Les Misérables (Javert); Regional: Pioneer Theatre; 5th Ave; Signature; OTC, Ogunquit. TV: The Chair Company; Law & Order: SVU; The Equalizer; Blue Bloods; FBI: Most Wanted; L&O: Organized Crime; The Gilded Age; As the World Turns; One Life to Live.Insta: @joshdnyc

PALOMA GARCIA (Witness) is an actor, musician, and artist based in New York City. She's thrilled to be making her debut with New York Theatre Company. Recent credits include: Twelfth Night (Viola) at NYU Tisch, Bitch Zoo at ALab Theater Festival, Fefu and Her Friends (Cindy) with Broad Street Players, and Is My Microphone On? (Jude) at The Center at West Park. Paloma recently graduated from NYU Tisch School of the Arts with a BFA in Drama. She is delighted to be a part of developing this show alongside an incredible group of artists. www.palomagarcia.net / @pal0magarcia

JOHN KROFT* (Storyteller) is a New York-based actor, writer, director, and founding company member of New York Theater Company. He has appeared in the city in Dan Cody’s Yacht (MTC) and The Weak and the Strong (La Mama). Regionally, he has performed in such shows as Love All (La Jolla Playhouse, The Tempest (The Guthrie), The Complete Works of Shakespeare (Abridged) (NPCowgirls), Dutch Masters (Northern Stage), Lifespan of a Fact (Pioneer Theater Company), The Great Gatsby (Bay Street Theater), and Bram Stoker’s Dracula (Williamstown Theater festival), as well as a number of workshops for The Sundance Institute, Eugene O'Neil's National Playwright's Conference, and The Chautauqua Theater Company. He has appeared on screen in TV shows such as Blue Bloods (CBS) and Red Oaks (AMAZON), the docu-series The Andy Warhol Diaries (NETFLIX), and in the film MASTER (AMAZON), the film MAESTRO (NETFLIX), as well as a handful of other short and independent films. You can also find his work as a narrator in several audiobooks at Audible.com. John’s directorial credits include God Of Carnage and R.U.R. at The Playwright’s Theater of East Hampton and he just made his NY debut Co-Directing THE CIRCUIT: An Immersive Silent Disco Ballet. He is a proud and grateful graduate of the Juilliard Drama Division.

GRACE PORTER* (Deputy) is a New York–based, multi-hyphenated artist originally from Pasadena, California. She has appeared in the Williamstown production of Lempicka, The Public Theater’s Mobile Unit production of Measure for Measure, and The Public Theater’s Shakespeare in the Park production of Richard III. She made her Broadway debut in the 2022 revival of Death of a Salesman as Letta/Jazz Singer. Her television credits include Madam Secretary, Prodigal Son, and Blue Bloods. She can currently be seen recurring on Godfather of Harlem as Dr. Betty Shabazz as well as Apple TV’s new series Maximum Pleasure Guaranteed as Gwynn. Film credits include Spoiler Alert: The Hero Dies and Clock. She is also the co-founder of the recently launched nonprofit Black Artist Network, which aims to uplift, unite, and amplify Black artists across disciplines by providing community, resources, and platforms for creative collaboration.

*Equity Member appearing with permission of Actors’ Equity Association without benefit of an Equity contract in this Off-Off Broadway production 

LINDSAY CARPENTER's (Playwright) writing spans theatre, film, and immersive experiences. Her plays have been produced by Unicorn Theatre, Taffety Punk, Tufts University, and the Stella Adler Academy of Acting. She was a finalist or semi-finalist for the O'Neill, Dramatist Guild Foundation Fellowship, and Princess Grace Award. Her award-winning short film “Little One” (Secret Beach Productions) screened at festivals worldwide, including Palm Springs ShortFest and RiverRun. She was a staff writer on CBC’s acclaimed web series “Amours d’occasion” and co-founded Ghost Ship Murder Mysteries, which creates curated, immersive experiences. In 2020, she received her MFA in Dramatic Writing from NYU.

SB TENNENT (Director) is an Iranian-American director of new plays, musicals, and classics. Described as having a “deft directorial touch” (Culturebot), she has developed work with New York Theatre Workshop, Onassis ONX Studios, Mercury Store, Mabou Mines, Bushwick Starr, Clubbed Thumb, The Drama League, New Georges, BRIC, Ars Nova, The TEAM, Red House Center for Culture & Debate in Bulgaria, Prague Film & Theater Center, and others. Alumnus of Drama League Stage Directing Fellowship, New Georges Audrey Residency, NYTW 2050 Fellowship, Clubbed Thumb Fellowship, and NYU. SB trained by assisting theater artists such as Rachel Chavkin and David Cromer. She’s a NYTW Usual Suspect, recipient of NYSCA’s Support for Artists grant and a two-time finalist for the Barbara Whitman Award. @sbtennent

SARAH GOODMAN (Sound Designer) is a multidisciplinary designer and performer. Master of Arts in Creative Media and Technology, Berklee NYC. Sound Design: Join the Club (The Chain & Edinburgh Fringe Festival), Machinal (Associate Sound Designer & A1, MTC Stage II), Kinky Boots (ACT of CT, Connecticut Critics’ Circle Nomination), A Chorus Line, Beauty and the Beast, West Side Story, An American in Paris (The Argyle Theatre), Show Me Eternity (Culture Lab LIC), A1: Cowboy Bob (World Premiere, The Alley Theatre), Sound Engineer at Tony Award-Winning 54 Below. www.soundsgoodsarahg.com

ELLIOT ALLEN (Lighting Designer) is a queer & trans director, designer, writer, and performer who collaborates with playwrights to bring new works to life. Recent projects as lighting designer include extra(terrestrial) by Amy Stoogenke (The Tank’s Limefest), The Monotonist by Theo Billups (New York Theater Festival), BUMPO by Ben Loftus (The Tank), and Lady Mariner by Maggie Grazioso (The Tank). Elliot graduated with a BFA in Directing from NYU’s Playwrights Horizons Theater School.

RIVERA REESE (Fight Director) is an actor, stunt performer, and stage combatant. Her fight and stunt work spans television, film, and live performance, including serving as Fight Captain for “Money Heist: The Experience NYC” and touring internationally as the villain Nebula in “Marvel Universe Live!” On screen, she performed her own stunts as a recurring guest performer on “Law & Order: Organized Crime,” held Dylan McDermott at gunpoint on “FBI: Most Wanted,” fought Queen Latifah in a prison brawl on “The Equalizer,” and ambushed Amanda Seyfried in a street fight in “Long Bright River.”

ASHLEY KLINGER (Intimacy Director ) is a certified intimacy director (IDC) bringing a safe space for the entire team to create more powerful storytelling on stage. Recent ID credits include The Full Monty (Gateway Playhouse), Pretty Woman, West Side Story, Beautiful(Argyle Theater), Maddie(Off Broadway),An Awful Thing (student film). Point Park University alum with performance credits ranging from stage to screen. http://www.ashleydklinger.com IG:@ashleydklinger Hudson Artists Agency 

AUSTEN PARENT (Stage Manager) is a theatre artist based in New York City. They recently received their BFA in the Dramatic Arts at The New School, where they explored many areas of theatre but found a special home in stage management. Recent production stage management credits include Trust in Tandem (Actor’s Theatre Workshop), Mama Piranha (JACK + PhysyFest), and Hurt Your Wife (Gene Frenkel). They have also been an assistant stage manager for productions As You Like It (The New School), Twelfth Night (Geva Theatre Center) and Interstate (Dixon Place). You can follow them on instagram @parentproblem

NEW YORK THEATRE COMPANY (Producer) is a production company & artist collective Co-Founded by Katherine Winter & Chilina Kennedy in 2025. Our company's mission is to produce world-class, artist-driven, evocative theatre in New York City. We champion work that is simultaneously scrappy and ambitious, bringing stories to life in unexpected spaces, whether in a century-old theatre or the loading dock behind it. NYTC exists to make theatre that is both a provocation and an embrace – work that challenges, transforms, and reminds us why live performance is irreplaceable. Our inaugural production in 2025 was a tap-dance-forward revival of Sophie Treadwell’s MACHINAL at New York City Center. In 2026, we made New York City itself our scene partner with THE CIRCUIT: An Immersive Silent Disco Ballet. In Development: Songs For Slutty Girls. We are thrilled to partner with Most Much Productions and bring Lindsay Carpenter’s Break to life!

MOST MUCH PRODUCTIONS (Producer) We are thrilled to be making our lead co-producing debut with NYTC and this incredible play by Lindsay Carpenter. Founded by Corey Bobak in 2025, Most Much develops bold stories where artistic significance meets commercial success. Broadway investments include Inter Alia with Rosamund Pike this fall, Fear of 13, Proof, and SMASH. West End investments include the RENT Revival opening in Fall 2026, John Proctor Is the Villain in February 2027, and Co-Producer for the musical In Pieces. US National tour investments include Suffs and The Notebook. More to be announced - follow along @mostmuchproductions

PLAYWRIGHTS’ THEATRE OF EAST HAMPTON The Playwrights' Theatre was founded in East Hampton in 1992 by producer and Springs resident Mitzi Pazer from The Roundabout Theatre Company along with her husband, attorney  Perry Pazer. They started the series at LTV where it operated every summer for 10 years before shifting to the John Drew Theater at Guild Hall for another ten seasons. Incredible stars took part: Eli Wallach and Anne Jackson, Judd Hirsch, Estelle Parsons, Dianne Wiest, Peter Boyle, Jack Klugman, Mercedes Ruehl, Tovah Feldshuh and Charles Durning among countless others. Playwrights' Theatre gave a chance for East Hampton audiences to meet and mingle with these luminaries in a relaxed setting where process and dialogue were encouraged with great talkbacks and informal garden receptions. The emphasis was on the written and spoken word, with playwrights being selected by Mitzi and afforded a remarkable, focused and hospitable workshop in which to hear and shape their developing plays. When Josh Gladstone to joined the team at LTV in early 2023, Gladstone reached out to the Pazers with an invitation, and sure enough the Pazers responded, excited to see their legacy of 30 years reignited and reimagined for a new generation of East Hampton theater lovers and artists. LTV is proud to welcome The Playwrights' Theatre back home to Studio 3 in Wainscott, where the work of the Pazers will continue, offering creative opportunities to theater-makers to develop their voices and imaginations throughout the year.

LTV STUDIOS - Every great community has a place where creativity comes alive. A place where local musicians perform, filmmakers tell important stories, artists exhibit their work, students discover new passions, and neighbors come together to celebrate culture.

LTV is more than a television station. It’s the East End’s creative living room…a home for artists, musicians, filmmakers, storytellers, podcasts, nonprofits, students, and neighbors. It’s where ideas become reality, where local voices are amplified, and where our community comes together to create something bigger than ourselves. As a nonprofit, we don’t exist because of shareholders or corporate investors. We exist because people like you believe that local arts, local media, and local voices ma